The pendant drop under the centre of this apron is the one part of the table that hangs. Everything else is held at both ends; the drop is held at one. That makes the direction of the grain in it the whole question.
Our master Indian artisans cut the drop from the same block as the apron above it, never as a separate piece glued on, and they set the block out so the grain runs vertically down through the drop rather than across it. Timber is many times stronger along its grain than across it - a drop carved with the grain running sideways would be a short-grained shape waiting to snap at its neck. Running the grain down its length means the fibres run continuously from the solid apron into the hanging carving, and there is no weak joint anywhere in it.
The carving then works downward, thinning the drop gradually and leaving the neck - where it meets the apron - a little heavier than the eye notices. That extra thickness at the top is invisible in the finished piece and is the reason it survives carving, gilding, packing and a delivery across the country.