The Story Behind This Settee
Large-scale patterns are the hardest fabrics to upholster and the most impressive when done properly, which is why they appear on show pieces like this one.
Every patterned cloth has a repeat - the distance before the design starts again, which on a big floral can be half a metre or more. The upholsterer has to centre that repeat on the back panel, centre it again on the seat, and align it so the pattern appears to run continuously from back to seat rather than jumping at the join. On a settee, where back and seat are both visible at once, a misalignment is unmissable.
The practical consequence is fabric consumption. A plain cloth is cut with almost no waste; a large-repeat pattern needs substantially more - sometimes half as much again - because every panel must start at the right point in the repeat. That is a real cost, and it is why patterned upholstery is quoted differently from plain.
Scale matters too. A large floral needs a large surface to read; on a small chair it becomes a fragment.