Cutting Away Instead of Cutting In
India has an old tradition of pierced screen work, where stone and wood are cut clean through into patterns so that light and air pass while the surface still reads as ornament. The technique long predates the European furniture forms Brown Rabbit works in, and this bed is what happens when it is applied to one. The headboard shape, the scroll vocabulary and the cabriole feet are all European; the decision to remove the material rather than carve into it is not. It is the reason this piece behaves so differently in a room from a relief-carved bed of the same size.
The craft consequence is severe. In relief carving, a mistake takes off a little more wood than intended and can usually be worked around. In pierced carving there is nothing behind the cut, so a slip breaks a bridge, and a broken bridge on a component spanning a king width means starting that component again from fresh stock. The carver is working with no margin across a very long run. It also doubles the finishing: with light passing through, the reverse face is visible from anywhere in the room except directly in front, so the gold is laid and burnished on both sides rather than one. All of it is done by hand by master Indian artisans, and the photographs on this page show the actual bed.