The Story Behind This Mirror
Narrow frames are harder than wide ones. There is less timber to work with, so every cut has to be right the first time, and the carver has to leave strength exactly where the piece will hang from. That is why this mirror begins with careful board selection - straight, tight-grained seasoned teak, chosen for the run of the grain along the length of each stile rather than for surface colour.
The crest is carved as its own composition before the frame is assembled. The two birds are shaped from the solid, wings and tails cut free of the background so light passes behind them, and the plume between them is worked last so its curve sits proud of everything around it. Only then are the small mirrored panels fitted into the openings, which is what makes the crest read as light rather than as a block of wood. The stiles are carved separately, the acanthus scrolls cut in a continuous run so the rhythm does not break at the joint. Hand-sanding follows, then gold laid in coats and rubbed back at the raised edges by hand, so wear appears where a hand would naturally touch it. The shaped plate is fitted last.