A Bright Finish Has Nowhere to Hide
There is a reason so much carved furniture is sold in antique gold. An aged finish is laid dark into the recesses and burnished only on the raised surfaces, which produces shading that flatters the carving underneath and, more usefully to a manufacturer, conceals a good deal of it. Uneven curves, chatter marks left by a chisel, a joint line that does not quite disappear: all of it recedes into the shadow. A bright, evenly burnished gold reflects light uniformly across every surface, and everything the antique finish would have hidden is instead picked out and thrown across the room.
That is why this finish is applied to this design rather than to every sofa we make. The carving has to be finished to a standard that will survive being lit up. The scrolls on the arms have to be fair curves, not approximations; the pierced apron has to have clean internal edges on both faces; the joints between carved members have to close completely, because a bright surface will find them. The silver-grey brocade exists to give the eye somewhere to rest between all that reflection. Everything is carved, gilded and upholstered by hand by master Indian artisans, and the photographs on this page show the actual piece.