The floral spray on the two lower drawers is one design across two separate moving parts, and there is only one way to carve it so that it actually lines up.
Carve each drawer front on its own bench, working from the same drawing, and the two halves will not meet. A leaf that crosses the joint will be a fraction higher on one front than the other; a stem will step sideways; the relief will be slightly deeper on whichever was carved second. Closed, the drawers will show a design that does not quite join - and on a bedside chest, at eye level when you are lying down, that is exactly what you will notice.
So the two fronts are fitted to their drawers, then clamped together in the carcass in their closed positions, and the design is drawn and carved across both as though they were one board. The carver works over the joint continuously, never stopping at it.
Only when the relief is complete are the drawers separated, and each half is then cleaned up on its own drawer with the pattern already established.
Close them and the spray is whole. It is the closing that the piece is carved for.